'Publishing After Progress' special issue of Culture Machine

GH
Gary Hall
Mon, Oct 14, 2024 4:25 PM

Dear all,

We are happy to announce the release of Publishing after Progress
https://culturemachine.net/archives/vol-23-publishing-after-progress/,
a special issue of the//open access journal /Culture Machine/,
guest-edited by Rebekka Kiesewetter:

https://culturemachine.net/archives/vol-23-publishing-after-progress/

Contents:

__

/Culture Machine/**• Vol 23 • 2024 • Special Issue: Publishing after
Progress

Kiesewetter, R. (2024) ‘Guest Editorial Notes (after Progress?)’,
/Culture Machine/ Vol. 23..
https://culturemachine.net/vol-23-publishing-after-progress/rebekka-kiesewetter-guest-editorial-notes/

Kember, S. (2024) ‘Householding. A feminist ecological economics of
publishing’, /Culture Machine/ Vol. 23..
https://culturemachine.net/vol-23-publishing-after-progress/kember-householding/

Pooley, J. (2024) ‘Before Progress. On the Power of Utopian Thinking for
Open Access Publishing’, /Culture Machine/ Vol. 23..
https://culturemachine.net/vol-23-publishing-after-progress/jeff-pooley-before-progress/

Godínez-Larios, S. & Aguado-López E. (2024) ‘Publicación digital y
preservación de los communes: una apuesta tecnológica latinoamericana’,
/Culture Machine/ Vol. 23..
https://culturemachine.net/vol-23-publishing-after-progress/godinez-y-aguado-apuesta-tecnologica-latinoamericana/

Kolb, L. (2024) ‘Sharing Knowledge in the Arts: Creating the
Publics-We-Need’, /Culture Machine/ Vol. 23..
https://culturemachine.net/vol-23-publishing-after-progress/kolb-sharing-knowledge-in-the-arts/

Kiesewetter, R. (2024) ‘Experiments towards Editing Otherwise’, /Culture
Machine/ Vol. 23..
https://culturemachine.net/vol-23-publishing-after-progress/kiesewetter-experiments-toward-editing-otherwise/

Adema, J. (2024) ‘Experimental Publishing as Collective Struggle.
Providing Imaginaries for Posthumanist Knowledge Production’, /Culture
Machine/ Vol. 23..
https://culturemachine.net/vol-23-publishing-after-progress/adema-experimental-publishing-collective-struggle/

Magazine, R. & Méndez Cota, G. (2024) ‘Reverse Scholarship as Solidarity
after Progress’, /Culture Machine/ Vol. 23..
https://culturemachine.net/vol-23-publishing-after-progress/magazine-mendez-reverse-scholarship/

Snelting, F. & Weinmayr, E. (2024) ‘Committing to decolonial feminist
practices of reuse’, /Culture Machine/ Vol. 23..
https://culturemachine.net/vol-23-publishing-after-progress/snelting-weinmayr-decolonial-feminist-reuse/

Groten, A. (2024) ‘Designing sideways. Inefficient publishing as mode of
refusal’ , /Culture Machine/ Vol. 23..
https://culturemachine.net/vol-23-publishing-after-progress/groten-designing-sideways-2/

Mussio, V. (2024) ‘Tus libros y poemas bailan y se besan en Internet:
Matrerita, la edición digital y su potencialidad para emancipar cuerpos
en peligro’, /Culture Machine/ 23..
https://culturemachine.net/vol-23-publishing-after-progress/valeria-mussio-tuslibrosypoemasbailan/

About Publishing After Progress:
_
_

Publishing After Progress brings together a series of reflections and
discussions that illuminate the current state of scholarly publishing.
It highlights the field's ongoing commercial and technological
consolidation, evolving under the rhetoric of internationalisation,
excellence and modern capitalist progress as an unequivocal benefit. The
issue includes analyses of the wide-ranging geopolitical, epistemic,
social and cognitive effects of this evolution, marked by a focus on
quantifiable outcomes, productivity- and visibility-driven metrics of
success, and individual achievement.

Beyond its diagnostic and analytical scope, Publishing after Progress
explores the tension between contemporary institutional expectations
related to publishing (including research, writing, editing, reviewing,
designing and licensing), and how individuals and communities actually
want to – or already do – engage in their work, based on their values,
expertise and understanding of their writing's needs in light of
persistent inequalities in scholarship and scholarly publishing, as well
as planetary crises and emergencies.

Publishing After Progresstentatively maps out emergent types of
'resistant' research, publishing and scholarship, unveiling diverse and
ongoing stories from activist, artistic and academic authors. These
contributors have begun to address the conflict between institutional
expectations and their own situated visions of what their work requires
in an increasingly troubled and troubling world. Collectively, the
articles grapple with the possibility of a politics of engagement in
publishing beyond a prevailing capitalist ethos of competition and
individual performance evaluation – celebrated by many contemporary
institutions as 'progress' – while practically facilitating spaces to
experiment with what such politics could entail.

In guest-editing this special issue – at a time when disparities in
academia and scholarly communication persist alongside environmental and
humanitarian emergencies – Kiesewetter has endevoured to underscore the
importance of continuously rethinking the value, scope and purpose of
scholarly publishing as well as scholarship more broadly, while
remaining committed to fostering intellectual questioning, rigor, debate
and the radical democratisation of knowledge creation processes in the
sake of knowledge equity and diversity. In this spirit, Publishing after
Progress invites its readers to engage with their own writing, editing,
review, design and publishing activities: not merely as competitive
producers of knowledge, but as active participants in collaboratively
shaping the present and future conditions of academic publishing and
academic work more broadly.

Please share this special issue with anyone who may be interested in it.

--
Gary Hall
Professor of Media
Director of the Centre for Postdigital Cultures, Coventry University:
https://postdigitalcultures.org/about/

Director of Open Humanities Press:http://www.openhumanitiespress.org
Websitehttp://www.garyhall.info
Follow on Mastodon here: @garyhall@hcommons.social

Latest:

Book: Masked Media: What It Means to Be Human in the Age of Artificial Creative Intelligence (in press):https://www.openhumanitiespress.org/books/titles/masked-media/

Journal article: 'Culture and the University as White, Male, Liberal Humanist, Public Space', New Formations:https://journals.lwbooks.co.uk/newformations/vol-2023-issue-110/abstract-9912/ (Open access pre-print available here:https://pureportal.coventry.ac.uk/en/publications/culture-and-the-university-as-white-male-public-liberal-humanist-.)

Blog posts: 'On Es Devlin and Ekow Eshun's Congregation':http://garyhall.squarespace.com/journal/2024/10/9/on-es-devlin-and-ekow-eshuns-congregation.html

'What if Marx had had ChatGPT?':http://garyhall.squarespace.com/journal/2024/8/29/what-if-marx-had-had-chatgpt-revolutionising-philosophy-just.html

Recommended: Robot Review of Books (now featuring This Podcast Does Not Exist):https://www.robotreviewofbooks.org/

Dear all, We are happy to announce the release of Publishing after Progress <https://culturemachine.net/archives/vol-23-publishing-after-progress/>, a special issue of the//open access journal /Culture Machine/, guest-edited by Rebekka Kiesewetter: https://culturemachine.net/archives/vol-23-publishing-after-progress/ _Contents:_ __ */Culture Machine/**• Vol 23 • 2024 • Special Issue: Publishing after Progress* Kiesewetter, R. (2024) ‘Guest Editorial Notes (after Progress?)’, /Culture Machine/ Vol. 23.. https://culturemachine.net/vol-23-publishing-after-progress/rebekka-kiesewetter-guest-editorial-notes/ Kember, S. (2024) ‘Householding. A feminist ecological economics of publishing’, /Culture Machine/ Vol. 23.. https://culturemachine.net/vol-23-publishing-after-progress/kember-householding/ Pooley, J. (2024) ‘Before Progress. On the Power of Utopian Thinking for Open Access Publishing’, /Culture Machine/ Vol. 23.. https://culturemachine.net/vol-23-publishing-after-progress/jeff-pooley-before-progress/ Godínez-Larios, S. & Aguado-López E. (2024) ‘Publicación digital y preservación de los communes: una apuesta tecnológica latinoamericana’, /Culture Machine/ Vol. 23.. https://culturemachine.net/vol-23-publishing-after-progress/godinez-y-aguado-apuesta-tecnologica-latinoamericana/ Kolb, L. (2024) ‘Sharing Knowledge in the Arts: Creating the Publics-We-Need’, /Culture Machine/ Vol. 23.. https://culturemachine.net/vol-23-publishing-after-progress/kolb-sharing-knowledge-in-the-arts/ Kiesewetter, R. (2024) ‘Experiments towards Editing Otherwise’, /Culture Machine/ Vol. 23.. https://culturemachine.net/vol-23-publishing-after-progress/kiesewetter-experiments-toward-editing-otherwise/ Adema, J. (2024) ‘Experimental Publishing as Collective Struggle. Providing Imaginaries for Posthumanist Knowledge Production’, /Culture Machine/ Vol. 23.. https://culturemachine.net/vol-23-publishing-after-progress/adema-experimental-publishing-collective-struggle/ Magazine, R. & Méndez Cota, G. (2024) ‘Reverse Scholarship as Solidarity after Progress’, /Culture Machine/ Vol. 23.. https://culturemachine.net/vol-23-publishing-after-progress/magazine-mendez-reverse-scholarship/ Snelting, F. & Weinmayr, E. (2024) ‘Committing to decolonial feminist practices of reuse’, /Culture Machine/ Vol. 23.. https://culturemachine.net/vol-23-publishing-after-progress/snelting-weinmayr-decolonial-feminist-reuse/ Groten, A. (2024) ‘Designing sideways. Inefficient publishing as mode of refusal’ , /Culture Machine/ Vol. 23.. https://culturemachine.net/vol-23-publishing-after-progress/groten-designing-sideways-2/ Mussio, V. (2024) ‘Tus libros y poemas bailan y se besan en Internet: Matrerita, la edición digital y su potencialidad para emancipar cuerpos en peligro’, /Culture Machine/ 23.. https://culturemachine.net/vol-23-publishing-after-progress/valeria-mussio-tuslibrosypoemasbailan/ _About Publishing After Progress:_ _ _ Publishing After Progress brings together a series of reflections and discussions that illuminate the current state of scholarly publishing. It highlights the field's ongoing commercial and technological consolidation, evolving under the rhetoric of internationalisation, excellence and modern capitalist progress as an unequivocal benefit. The issue includes analyses of the wide-ranging geopolitical, epistemic, social and cognitive effects of this evolution, marked by a focus on quantifiable outcomes, productivity- and visibility-driven metrics of success, and individual achievement. Beyond its diagnostic and analytical scope, Publishing after Progress explores the tension between contemporary institutional expectations related to publishing (including research, writing, editing, reviewing, designing and licensing), and how individuals and communities actually want to – or already do – engage in their work, based on their values, expertise and understanding of their writing's needs in light of persistent inequalities in scholarship and scholarly publishing, as well as planetary crises and emergencies. Publishing After Progresstentatively maps out emergent types of 'resistant' research, publishing and scholarship, unveiling diverse and ongoing stories from activist, artistic and academic authors. These contributors have begun to address the conflict between institutional expectations and their own situated visions of what their work requires in an increasingly troubled and troubling world. Collectively, the articles grapple with the possibility of a politics of engagement in publishing beyond a prevailing capitalist ethos of competition and individual performance evaluation – celebrated by many contemporary institutions as 'progress' – while practically facilitating spaces to experiment with what such politics could entail. In guest-editing this special issue – at a time when disparities in academia and scholarly communication persist alongside environmental and humanitarian emergencies – Kiesewetter has endevoured to underscore the importance of continuously rethinking the value, scope and purpose of scholarly publishing as well as scholarship more broadly, while remaining committed to fostering intellectual questioning, rigor, debate and the radical democratisation of knowledge creation processes in the sake of knowledge equity and diversity. In this spirit, Publishing after Progress invites its readers to engage with their own writing, editing, review, design and publishing activities: not merely as competitive producers of knowledge, but as active participants in collaboratively shaping the present and future conditions of academic publishing and academic work more broadly. Please share this special issue with anyone who may be interested in it. -- Gary Hall Professor of Media Director of the Centre for Postdigital Cultures, Coventry University: https://postdigitalcultures.org/about/ Director of Open Humanities Press:http://www.openhumanitiespress.org Websitehttp://www.garyhall.info Follow on Mastodon here: @garyhall@hcommons.social Latest: Book: Masked Media: What It Means to Be Human in the Age of Artificial Creative Intelligence (in press):https://www.openhumanitiespress.org/books/titles/masked-media/ Journal article: 'Culture and the University as White, Male, Liberal Humanist, Public Space', New Formations:https://journals.lwbooks.co.uk/newformations/vol-2023-issue-110/abstract-9912/ (Open access pre-print available here:https://pureportal.coventry.ac.uk/en/publications/culture-and-the-university-as-white-male-public-liberal-humanist-.) Blog posts: 'On Es Devlin and Ekow Eshun's Congregation':http://garyhall.squarespace.com/journal/2024/10/9/on-es-devlin-and-ekow-eshuns-congregation.html 'What if Marx had had ChatGPT?':http://garyhall.squarespace.com/journal/2024/8/29/what-if-marx-had-had-chatgpt-revolutionising-philosophy-just.html Recommended: Robot Review of Books (now featuring This Podcast Does Not Exist):https://www.robotreviewofbooks.org/